The Comedy About A Bank Robbery
By
Henry Lewis, Jonathan Sayer and Henry Sbields
Diamond
Geezers
TLT
and her own little getaway car broke into the Criterion Theatre to see the
latest offering of Mischief Theatre which previously scored a big success with
The Play That Goes Wrong, still running, and Peter Pan Goes Wrong, poised to return to the West End.
We
have to admit, even if it blots our copybook as theatrical know-it-alls, that we haven't seen
either of these, so it was with a hopeful heart and an open mind we entered the
parallel universe of Mischief Theatre.
And
you really, really can't complain that this is show that doesn't do what it says on the tin
with a title like The Comedy About A Bank Robbery. :)
For
this play, the writing trio of Henry Lewis, Jonathan Sayer and Henry Shields have
decided to locate the action in 1958 Minneapolis (real-life home of the Artist,now sadly, formerly known as Prince, the Coen Brothers and Bob Dylan).
Eventually.
Because the action starts off with thieves in a Canadian prison - well, actually a corporate effort by prison
guards and prisoners - determining to
steal a diamond belonging to a Hungarian Prince visiting the local bigwigs.
Quite what a prince is doing representing Communist Hungary is never quite
elucidated, but hey ... :)
Meanwhile
the widowed bank manager (Henry Lewis) and the world oldest intern - not sure again if there were banking interns
in 1958, rather medical and political ones, but hey ...;) - Warren (Jonathan
Sayer) are being regular duped by his
daughter Caprice (female Charlie Russell),.
And
the cashier Ruth (Nancy Wallinger) has a minor criminal for a son (Dave Hearn)
who just happens to know one of the criminals and is lured into the heist. And
so on and so on.
Directed
by Mark Bell on a cooperative basis with the Mischief Theatre company, the
premise seems to be a homage - exactly what that means is explained in the
programme - to heist movies with a few recognizable types thrown in for good
measure - for example Mitch Ruscitti (Henry Shields) is a Brandoesque bad boy.
Ever
since the success of Richard Bean's adaptation of Goldoni's Servant Of Two
Masters as One Man Two Guvnors, it seems to us that a new genre has developed
of the sketch show play.
But
One Man Two Guvnors had a solid plot, albeit filled with variety turns. The
Comedy About A Bank Robbery struck TLT
and her cohort in crime as plot almost entirely overtaken by random gags and
sketches.
So
we guess it's a Marmite experience and the audience member is either going to buy into this stuff as
zany and laughter-inducing or find it a wearying parade of jokes being milked
until, some might say, they curdle.
There's
a supermarionation feel to some of the characters - that's a style not a
criticism - and, again, you either take to it or you don't. The set design by
David Farley is slick, sliding from a Canadian jail via a car journey to the
bank offices to a bedroom to the bank vault.
The
show took off far more for us in the second act with the heist itself as the would-be heisters (is there such a word?!)
clamber for the hot rock as they are lowered into the bank.
All
in all, it was a mixed swag bag for we fun-loving criminals. The Comedy About A Bank Robbery may have benefited fro some heavy cutting. Still, it scrapes
through into an amber light and it's up to you whether it sounds like a
"Wanted" experience or you prefer to avoid the crime scene.
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