Review Coming Clean

A brittle comedy drama revealing the cracks in a seemingly stable relationship provides a funny and wistful evening for Peter Barker.

Coming Clean
by Kevin Elyot

The Love Knot
http://www.kingsheadtheatre.com/

Long-standing gay couple Tony and Greg are celebrating their fifth anniversary in a Kentish Town flat.

Greg is a worldly, acerbic academic, while would-be writer Tony and unattached serial cruiser friend William enjoy partying.

Tony and Greg have an open relationship, tolerant of each other's one-night stands, but the two men still remain serious about and committed to each other 

That's until the arrival into their domestic milieu of buff young "resting" actor Robert whom they hire to clean their flat. Finally Tony begins to realise that he might want something more out of his relationship with Greg.

Coming Clean was first put on in 1982 at the Bush Theatre, the debut play of the late playwright and actor Kevin Elyot .

This was 12 years before the playwright's most successful play My Night With Reg brought him to playwriting prominence..

The earlier play asks, in the era before AIDS but after 1967 decriminalisation of private homosexual acts,  when does an open relationship cross the line into infidelity?

Now this thought-provoking and touching play has been revived at Islington's King's Head.

Jason Nwoga is the college lecturer, Greg, Lee Knight is his partner Tony who finds their relationship severely tested, Tony Lambert the domestic help of the love triangle and Elliot Hadley is comically engaging as William.

The plot, issues and humour of Coming Clean have worn well and it remains a witty and insightful look into the nature of relationships, love, loss and betrayal with believable characters.

Adam Spreadbury-Maher has assembled an excellent cast on the detailed set designed by Amanda Mascarenhas.- a Kentish Town flat of the early 1980s complete with sofa, hi-fi, kitchenette, Lady Di tea caddy and Mozart records.

Elyot, who came from Birmingham and was a former choir boy,  originally called the play Cosy after the Viennese composer's Cosi Fan Tutte.

Spreadbury-Maher's direction is assured and sympathetic. Even though the drama includes darker issues, bitterness and recrimination, the play and performances remain funny, warm and natural and part of a green light production.

Review Twilight Song

Twilight Song
by Kevin Elyot

Ah! Sweet Mystery Of Life
https://www.parktheatre.co.uk/

Twilight Song, written by the late Kevin Elyot in 2014 just before his death, is an odd little playwriting confection about some odd fellows and a woman. 

Analyse it closely and it turns out to be a tawdry tale of impregnation, loans, property, possible professional fraud, furtive sexual encounters, time slippages and blackmail, all wrapped  in colourful tissue paper and tied with a great big ribbon bow.

We can't begin to add up all the self-consciously theatrical and cinematic styles it seems to go through - there's a touch of Rattigan, definitely some Noel Coward and Alfred Hitchcock, even a snippet of Christopher Isherwood, Charles Dickens and DH Lawrence (or is it EM Foster ...?) and, hey, is that Monty Python parody?

This is the première of Elyot's last play and, despite some sluggish moments, director Anthony Banks gives us a stylish production set on James Cotterill's wooden round stage living room with a settee, curved French windows, mahogany gramophone and a silver drinks' trolley to create a Scotch haze. 

It's a slickly, but rather mechanically, put together play and it rather feels as if the playwright put together the themes going around  rather than a deeply-felt piece. 

Maybe it was intended to go a bit deeper into the gay influence on literature, film and television and what this meant before and after 1967 legislation, yet this never really develops, even in metaphor.  

Still, after a slow and rather stilted beginning, the story does take hold. Barry (Paul Higgins) is a middle-aged gay retired pharmacist who lives with his mother in a North London Victorian villa. While she takes her regular weekly trip to Kent, he invites an estate agent (Adam Garcia) to give a valuation and other services. 

Centred on the house, this modern day encounter slips back to the 1960s and delicate girlish bride Isabella (Bryony Hannah) welcoming two old codgers into her marital home. 

Charles (Hugh Ross), an elderly doctor and seemingly someone's uncle. Harry (Philip Bretherton), a dodgy married solicitor, like Charles, seems well lodged in his current comfortable middle-class existence even if it seems the two men have a past. 

Slipping back and forth in time, by the end we can piece together the story and obtain a sense of an ending but, while it may have been meant as a satire or parody, it comes across as a rather lacklustre playwriting effort.

References to Conservative but pro Welfare State prime minister MacMillan and 1960s emigration to Australia are flagged up as well as a wife's thwarted career.

However, in the end it feels as if we've been lured to spy through the keyhole at a rather insubstantial and too self-satisfied mystery story and it's an amber light.