Apollo Theatre W1
http://www.nimaxtheatres.com/
Exit Stage Left
A tormented play by a politically-active writer given an uneven production, thought TLT and her partner-on-wheels, about this 1950 inside out piece on theatre, lies and cowardice directed by Rufus Norris. Washed-up actor Frank Elgin (Martin Shaw) is offered the chance by young director Bernie Dodd (Mark Letheren) to star in a play albeit on a contract with two-weeks notice. Frank’s career , so it is alleged, has been hampered by a young wife Georgie (Jenny Seagrove), the eponymous country girl, believed to be a neurotic. While watching this, TLT began to think this difficult but worthwhile piece may be a unmade brilliant movie. Only to find out later through the good offices of Google that it was an Oscar-winning film when Grace Kelly who played Georgie won out over Judy Garland's performance in A Star Is Born (a movie about a washed-up alcoholic actor and his wife ...) for Best Actress plaudit. Anyway, what to say about it? The first act is supremely irritating because the accents of the two main characters Frank Elgin and his wife Georgie are so inpenetrable (I did wonder whether we were listening to Swedish-Americans!). Yet we know something rich, strange and very human is going on which kept me hanging in there. And surely there is, and if there isn’t, there should be, a theatregoing adage: “Always wait for the last act”. The audience was suitably rewarded with a fast-moving dream of a second act and every sassy line as clear as a bell. So round one goes to the clever set design by Scott Pask and Jonathan Lipman and supporting actors alongside Letheren, Nicolas Day, Peter Harding, Thomasin Rind and Luke Shaw. With a knock out punch by everyone in the second-act and just about an amber light from TLT who also recommends reading something about the life of Clifford Odets before seeing the play.
A tormented play by a politically-active writer given an uneven production, thought TLT and her partner-on-wheels, about this 1950 inside out piece on theatre, lies and cowardice directed by Rufus Norris. Washed-up actor Frank Elgin (Martin Shaw) is offered the chance by young director Bernie Dodd (Mark Letheren) to star in a play albeit on a contract with two-weeks notice. Frank’s career , so it is alleged, has been hampered by a young wife Georgie (Jenny Seagrove), the eponymous country girl, believed to be a neurotic. While watching this, TLT began to think this difficult but worthwhile piece may be a unmade brilliant movie. Only to find out later through the good offices of Google that it was an Oscar-winning film when Grace Kelly who played Georgie won out over Judy Garland's performance in A Star Is Born (a movie about a washed-up alcoholic actor and his wife ...) for Best Actress plaudit. Anyway, what to say about it? The first act is supremely irritating because the accents of the two main characters Frank Elgin and his wife Georgie are so inpenetrable (I did wonder whether we were listening to Swedish-Americans!). Yet we know something rich, strange and very human is going on which kept me hanging in there. And surely there is, and if there isn’t, there should be, a theatregoing adage: “Always wait for the last act”. The audience was suitably rewarded with a fast-moving dream of a second act and every sassy line as clear as a bell. So round one goes to the clever set design by Scott Pask and Jonathan Lipman and supporting actors alongside Letheren, Nicolas Day, Peter Harding, Thomasin Rind and Luke Shaw. With a knock out punch by everyone in the second-act and just about an amber light from TLT who also recommends reading something about the life of Clifford Odets before seeing the play.
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